SEUSSICAL

PROGRAMME DIRECTOR

CHOREOGRAPHER

Nieve began dancing at the age of 3 and has since gained experience in a variety of styles. She has always loved the idea of passing on her knowledge and enjoyment of dance; she spent years assisting her ballet teacher with the younger students' classes before she started working as a solo teacher herself in 2019. Additionally she had the opportunity to lead dance troupes at Rangitoto College, where she received the Devotion to Dance award in 2018. 

In 2023 Nieve completed her Bachelor of Dance Studies at the University of Auckland. Alongside this degree Nieve has performed in contemporary piece ‘This Room Is An Island’ (choreographed and created by Yin-Chi Lee), and ‘Night Of The Queer 2023’ (Luck & Schooney). She started working with the National Youth Theatre in 2021 as a Dance Intern and has since taken on the role of Choreographer for their productions of Frozen JR, High School Musical, Joseph and the Amazing Technicolour Dream Coat and Alice: A Wonderland Musical. 

Most recently Nieve performed in Wilbur: The Big, Not-So-Bad Wolf, at TAPAC as part of the TAPAC Youth Company. 

ASSISTANT CHOREOGRAPHER

Alisa began performing with NYT from the age of 7 with performance credits including Jetsam in Disney’s The Little Mermaid, Aunty Em in Wizard of Oz; Tootles in Alver & Doy’s Peter Pan; Babette in Disney's Beauty and the Beast and has been part of their Extension Dance teams.

In 2016, she made her professional theatre debut as ballet girl Susan Parks In Auckland Theatre Company’s Billy Elliot the Musical at the ASB Waterfront Theatre.

Most recently, Alisa has been part of the creative team as an Artistic Intern for NYT's production of Alver & Doy's Wendy! The Peter Pan Musical and Disney's High School Musical. 

She's now stepping into the role of Assistant Choreographer for Andrew Lloyd Webber's Joseph and the Amazing Technicolor Dreamcoat. Alisa is looking forward to working with the creatives and the cast on this exciting show.

This April, Alisa was the Choreographer for NYT’s Show in a Week programme ‘Diary of a Wimpy Kid’ !

MUSICAL DIRECTOR

REHEARSAL MANAGER

Johanna has been with the National Youth Theatre since 2007. A constant presence in the rehearsal room, Johanna is your first point of call for any of the day-to-day questions you may have. Once we go into theatre, Johanna's domain becomes the side-of-stage, leading a team of volunteers, and providing a vital conduit between departments. Johanna is a trained ballerina, having danced with Royal New Zealand Ballet.

ASSISTANT MUSICAL DIRECTOR

Ben is a young multi-disciplinary musician based in Tamaki Makaurau. Classically trained, he gradually transitioned into pop and rock before discovering his passion for musical theatre.

His recent theatre credits include Big Fish, The Trail to Oregon!, National Youth Theatre's Joseph and the Amazing Technicolor Dreamcoat, and Alice in 2024. He joined NYT as a keyboard player for Diary of a Wimpy Kid in April 2024 and has since worked as a tutor and pianist.

Ben is excited to be part of the creative team again, and is looking forward to bringing Seussical the Musical to life!

CHIEF EXECUTIVE

James Doy (B.Mus L.T.C.L.) was one of the founding members of the National Youth Theatre Company, and has been the Musical Director since its inception in 2005. In 2012 James was appointed Chief Executive by the NYT Board.

Outside of NYT James has a resume including Christmas and Opera in the Park, Rob Guest, Max Bygraves and Shirley Bassey. In the world of musical theatre, James has played for many international touring productions including Les Miserables, Little Shop of Horrors, Porgy and Bess, Cats, Matilda and Wicked.

In 2014 James received the prestigious 'NZ Musician of the Year' award from the Variety Artists Club. James was the Musical Director of the NZ Opening Ceremony for the 2015 ICC Cricket World Cup, composing, arranging, and working with artists from Sole Mio to Hayley Westernra as well as putting together a huge showcase for the music from each of the 14 participating nations. He composed the theme for Peta Matthias’s Taste series, which have been screened all over the world, and composed the full length musical Peter Pan for NYT in 2017.

RELATIONSHIP MANAGER

Shirley Sequeira is a jack of many trades. At the age of 16 she dabbled in design and worked for a boutique. She then worked in hotel management for three years, before moving into the Airline Industry, first for PanAm then becoming a Sales and Marketing Manager with SwissAir.  In the background she started a company called Entre Nous, running corporate events and touring international productions. 

PROGRAMME MANAGER

Seamus has been a part of NYT since 2008, when he joined the company for the production of Grease. Through his involvement as a cast member he has personally seen and experienced the impact of the invaluable skills and opportunities NYT provides.

He was Assistant Director for the company from 2012 to 2018, with personal highlights being his directorial debut with 2013’s Aladdin, and his final production of Shrek The Musical. In addition to his experience with NYT Seamus has worked with a number of other Auckland theatre groups, seeing him develop his performance, directorial and production skills in a range of disciplines.

Seamus’ primary passion is education, and providing young people with the skills, attitudes and mindset needed to be successful in any field they choose. Seamus is a qualified Primary Teacher, specialising in Pasifika Pedagogy, and brings his knowledge and understanding of the practice of teaching and learning. He believes in the value of education through the arts, and loves the opportunity that NYT provides for young people to grow and develop their confidence and real world skills in a fun and supportive environment.

PRODUCTION MANAGER

Andrew Furness is an Auckland-based sound designer and audio technician with extensive touring experience. Andrew was our sound designer & operator for Beauty and the Beast, Oliver! and The Wizard of Oz. Andrew has performed a number of technical roles for Auckland Theatre Company, including Audio Engineer for North by Northwest, touring Audio & Lighting Technician for Winding Up and touring Technical Stage Manager for Still Life with Chickens, which played in 20 venues across three countries. Andrew’s other sound designs include A Stab in the Dark alongside John Gibson, for Nightsong. Andrew also has considerable film industry experience, including Netflix’s Sweet Tooth and Power Rangers.